South Africa / 2001 / 52mins / Documentary / English, Sotho and Zulu

The filmmaker returns to his old neighborhood in Soweto and engages with friends to discuss relationships. As his subjects talk intimately about street realities and the ways they cope with their hardships, the film reveals the gap between life and AIDS campaigns that often talk past the people they try to address.

Dumisani Phakathi

Dumisani Phakathi, aka Malo 8, is a Soweto-born director of television, films and commercials. He began making movies at the age of sixteen. After matriculating in 1993 at Phafogang High School in Soweto, he went to work at Die Beeld, Gauteng’s leading Afrikaans newspaper. He proved too gregarious for a newsroom and joined TV Production Company – Urban Brew – as a trainee director. A year later he conceptualized The Electric Workshop, the funky youth actuality program that went on to run for five successful years. Phakathi has collaborated with notable media organizations BBC, Arte and TV2 Denmark. He has received additional praise including a special mention at Toronto Film Festival, a Forum Selection at Berlin Film Festival and a Best Director award at Montecatini Film Festival. Waiting for Valdez, a short film produced for MNET, garnered a great deal of support and attention early on in his career. Some of Phakathi’s other works include An Old Wife's Tale and Don't F*** with Me, I Have 51 Brothers and Sisters (2005). In 2008, his Nocturnal Fragments, a collaboration between Pat Mautloa and Phakathi, which consists of digital stills that Phakathi made with his video camera turned into fine art prints, some of which have additional pastel work by Mautloa, were shown at Johannesburg’s new Resolution Gallery of Digital Art. Learn More