Since the first NY African Film Festival in 1993, AFF has cultivated an international network of industry professionals and media scholars to contribute insights to the historical and aesthetic significance of works by filmmakers in Africa and the Diaspora. Our collection of literature complements audience experiences of African cinema with the cultural contexts and production values that inform a finished work. It reflects the aspirations of AFF contributors as well as the directors themselves through interviews, film reviews, essays, and film industry observations.

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Interview with Jean-Marie Teno

Born in 1954, in Famleng, Cameroon, Jean-Marie Teno studied communication at the University of Valenciennes. Since graduating in 1984 with a degree in filmmaking, he has been living and working in France. Directing both documentary and fiction, Teno frequently shoots …
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  • THE ROLE OF MUSIC IN AFRICAN CINEMA
  • By Beatriz Leal Riesco
  • Even today, an analysis of the complex role of music in film is often forgotten by critics, many of whom remain prostrate before the dictatorship of the image. Yet as a manifestation of culture, music has a privileged position with …
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  • THE AFRICAN SLAVE TRADES: Across the Indian Ocean
  • By Anonymous
  • The lost memory of enslavement of Africans to the Arab world dominated the panel discussions that followed the screenings of The African Slave Trades: Across the Indian Ocean. The film’s narrator, Nigerian writer and Nobel Laureate Wole Soyinka, said that …
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